So in today's showcase I spoke to motion graphics artist and graduate David Wheeler. His Animated sketches on instagram really caught my eye for their trippy designs and ambient music. His body of work is mesmerising and generally a lot of fun to look at. I wanted to know what
So in today’s showcase I spoke to motion graphics artist and graduate David Wheeler. His Animated sketches on instagram really caught my eye for their trippy designs and ambient music. His body of work is mesmerising and generally a lot of fun to look at. I wanted to know what was the inspiration behind his Instagram series and what has been his experience so far a year after graduating.
Tell us a bit about yourself and How did you get started in animation?
David: My name is David Wheeler and I started college in 2009 and did 3D animation for 2 years and then I started a foundation degree in 2011. So in my 2nd year of university, I realised that 3D animation wasn’t really something that I wanted to do and realised that I can use it in a different way. So I wanted to learn 2D animation and so on and so forth in after effects. In my third year I focused more on the 2D with 3D and collaborated the two in my projects. When I graduated it was really difficult to find work in freelance and design. So I got the ball rolling with a large company in London and it went on until the end of the year, and then I worked with Rightmove one of the biggest estate agents in the UK. As I went into this year I worked more in office spaces in London with small knit teams and picked up new skills here and there and just generally networked myself a lot better than I would have done last year. My showreel grew and grew and its still growing now and I obviously don’t have time to update it. It’s a bit mental when I compare myself to now to what I was like last year. I mean sure I do have periods where I am very inactive but when I compare it to last year where I had nothing and I had to start with nothing and it was such a difficult way to start when you have very little in terms of corporate or professional animations.
What are some of the benefits and challenges to freelancing?
David: Scheduling your own time. The benefit is I guess you can make up your own time and I can obviously do as I please but I do have to satisfy the client and you obviously want to get everything delivered on time. I can go wherever and I can be in London one day and then the next day I can be back at home doing animations whenever I feel like it.
Tell me a bit about your geometric animations on Instagram, I have noticed a pattern with them and they are turning into its own Instagram series, could you tell me more about it?
David: It was about christmas last year I had very little going on because when it is christmas time there is very little going on; everyone is doing their own stuff. I was bored and started thinking, “I really should make my Instagram more interesting” rather than me posting pictures of food which I had already done for a year and so I thought “maybe I should make it more of a creative outlet”. So, I decided as a very early new years resolution that I would sort of make sketches as it were; where I would spend about an hour or so on after effects and see what I came up with. The main idea was at that present time when I make the animation I will pick the song first so the music that goes with the animation, I had sort of picked out already. It might be a song that is recent or something that I liked listening to that came up on shuffle recently, it sort of provokes me in a way I guess and I get a sort of feeling or idea from it. So there isn’t a specific pattern like, ” I’m going to make 5 posts to do with one thing” it really is how I feel about it. The point of it is really “sketch” based like pencil on paper it is like me drawing in after effects and I don’t really want to spend a ginormous amount of time on it. Though I spend just about an hour maximum then go on my way and do something else. Last month or the month before that, I saw someone that was looking for music based motion graphic visuals. I didn’t even bother sending my portfolio website anymore I just sent them my Instagram and I got the job, just fully based on my Instagram; which I thought was quite crazy. To think that some work that was sketched and put on Instagram got me a job and I got my own animations in an upcoming indie film and got paid for it. I already had the foundations of the animation, so I didn’t have to make a new one they had asked me to make an alternative, like a different coloured version and I was like “Yeah sure!”
This one is one of my favourite animations you have done, I wanted to ask what were you feeling at the time, it is so psychedelic and cool; could you explain the process behind it?
David: So with that one I had actually made whilst in university, I realised before starting work on my final year project, I was like ” Ok, I’ve got to learn a bit of Trapcode”. So I just played around with it and I got the mirroring effect and I distorted it, added shine and all sorts of bits and bobs. That’s how I sort of came around it and again it started with a piece of music, this was a response of how I felt about it, when I listened to the piece of music I felt “Kaleidoscopes” and “Warmth”.
There is a pattern to the series but not in the way you imagine, try to guess!
Be sure to follow David on Instagram to keep up with his work and if you can guess the pattern make sure to give him a tweet or shoutout on Instagram
Anastasia was the mic drop to animation giants Disney. Before I begin this review let's clear the air, 20th century fox is not Disney and Anastasia was produced neither by Disney nor dreamwork. For any 90's kids that were forcibly kept away from all forms of tv growing up, Anastasia is
Anastasia was the mic drop to animation giants Disney.
Before I begin this review let’s clear the air, 20th century fox is not Disney and Anastasia was produced neither by Disney nor dreamwork. For any 90’s kids that were forcibly kept away from all forms of tv growing up, Anastasia is an animated musical that takes on a fictional account of the missing romanov daughter Anastasia.
While the real Anastasia did meet a tragic demise, (can you imagine just how shocked I was finding the truth about her as a child). The ageless classic puts an alternate and mystic spin to the Russian princesses tale, even borrowing from the scandal of Anna Anderson. While the film is heavily inaccurate it provides enough humour and good music to briefly uphold a suspension of disbelief.
The first 10 minutes of Anastasia is exposition done well, we get everything we need to know and the set up ready for the large time-skip. Plus there is enough conflict and suspense that makes you want to know how the rest of the story plays out. You could imagine as a child this was pretty exciting to see in a children’s film. Compared to something like The Lion King that took awhile to get to the major plot twist that would be a catalyst for Simba’s change.
We speedily get to the point of the palace being under attack as part of the curse placed on the Romanov family by the antagonist Ra..Ra..Rasputin; lover of the Russian queen.. I mean former royal advisor. While her family meet their end, only young Anastasia and her grandmother are able to flee with the help of a servant boy, remember him he will be very important later. During their escape Anastasia is separated from her grandmother who is pulled away to escape to Paris, while an unconscious Anastasia is later found and admitted to an orphanage with no memory of who she is. A good number of years go by and now an adult Anastasia sets out to St. Petersburg with the only thing giving her a hint to her past; an engraved necklace her grandmother gifted her, with the words written, “Together in Paris”. Serendipity would have it, that the most adorable dog ever would cling to her like rubber to glue. A sign, a tip and three songs later she manages to run into con-artist and former palace servant boy Dimitri and former nobleman Vladimir, and thus begins the journey to the past.
I found the characters well crafted with the only person who still felt like quite a mystery from beginning to end was Vladimir. I could not mention enough how solid of a character Anastasia was and how much of a delight it was to watch her. Not only was she a strong, and naturally an adventurous character full of awe and wonder, she was also quite the fashionista. Everything she wore looked amazing on her. Her quibbles with Dimitri were entertaining and every character interaction was believable and interesting. Everyone was lovable to a degree even Rasputin in all his eye popping, head rolling maliciousness, as the antagonist of the story.
I really liked Dimitri’s character; most of all his ability to think fast and catch on was something else. The train scene was definitely a highlight to his ability and intellect, and it was an appropriate dilemma to work as a launching pad for Anastasia and Dimitri’s relationship. I swear that the chemistry between Anastasia and Dimitri was amazing, I believed in their romance. Rasputin felt lack-lustre at times as a villain not really coming into his own till the final act.
Characters aside, some scenes did irk me, while the train scene made sense in having supernatural things happen away from the general public, the final scene at the bridge above the seine- why was no one around so suddenly? It would have made sense if she was in a completely different dimension, then I could buy the empty Parisian streets.
The animation is expressive and extremely well done even down to the fabrics and clothing. It felt like watching a stage play the way it was animated. If you ever need an example of what an animated musical should look like, then look no further. The attention to detail in the animation, along with the fluidity was gorgeous to look at. The staging is especially what caught my eye, and made me realise that it was purposely set up that way to feel like a theatre. My biggest compliments have to go to the dancing sequences, they feel very lively and really magical. There is something special about the whole aesthetic of the film that its smooth animation really contributes to. My biggest pet peeve while it mostly has to do with the editing, would be the overuse of fade ins and outs as transitions. Sometimes a cut here and there would suffice. However, all in all their attention to detail in the animation was even more exemplified in the number I never should have let them dance. The sun setting in the background was a nice touch making the passing of time feel very natural.
Details motifs and the unashamed use of sparkles and lights really boosts the films imagery. The best scene would be once upon a December, from a gloomy dusty old palaces to a bright glittering and vibrant stage of excitement and warmth, you feel like you are in the joyous circling of dancers. The costume design is period relevant and gorgeous Anastasia looks beautiful in every outfit she is in only getting more and more beautiful as the story progresses. Character designs are nothing special or incredibly different as the character designers went for a realistic approach in regards to the character designs, making the characters that much more relatable. The earthy palette is great for the gold and starry wonderfulness of some scenes and is even more amazing when it all accumulates together in the set design for Paris is the key to your heart taking on an impressionist and pointillist background design mimicking the work of Renoir and Van Gogh. Honestly. Set design is gorgeous and the scale of work really is magnificent. The mixture of 3D elements and 2D were well done and weren’t annoying despite being noticeably outdated. They weren’t too ambitious in the 3D work, a bit here and there was enough so much so that it would not look completely off by 2015 standards.
I don’t think I can “big up” this film enough. As I have mentioned previously, everything from the camera shots to staging is really well done with a lot of thought put into it. Another example would be in how well they mimic the 1930’s/40’s beauty close ups that illuminate the face, a film technique relevant for the time the film is set.
This may be blasphemy to some but Anastasia does a better job at animated musicals than Disney. The songs are fantastic. The soundtrack is of course memorable and enchanting with music that plays on the strings of Eastern European influence, later blending in a mixture of songs that take on a bold broadway approach.
I don’t talk about voice acting in sound a whole lot because I often don’t have much to say about it; but this time around I really noticed how well done the voice acting was.
The voice acting was some grade A work, borrowing the talents of exceptional stars in film, tv and theatre. It isn’t all the time using hollywood A-listers helps yet this combination of actors and actresses work really well.
I will encourage anyone reading this to give Anastasia another watch, fox made this film in order to compete with Disney, and it is no wonder why Anastasia is continually mistaken for a Disney production. The stellar work put into it by Don Bluth has been criminally under-rated for a Fox Animation. If Fox had turned out a couple of more animations to the same standard as this, I believe that Fox most definitely would have given a present Disney a hard time in the industry.
Naturally when Disney were churning out 80% of animations in the 90s of course most if not all your childhood favourites would be a Disney animation studios production but I promise next week I will introduce something different. A Goofy Movie was one of my most watched and loved animations as
Naturally when Disney were churning out 80% of animations in the 90s of course most if not all your childhood favourites would be a Disney animation studios production but I promise next week I will introduce something different.
A Goofy Movie was one of my most watched and loved animations as a kid. I remember sitting in front of the TV to what probably was my third re-run of the film in the same day. Great music and teen themes, made the film so cool in my eyes.?I never got bored of the father and son antics of Goofy and his son Max so as you can guess I became a dedicated viewer of the goof troop after watching the film but now after a considerable amount of years later will nostalgia find itself a bit rough around the edges?
We start with Max in golden field of wheat with a sultry female voice calling out to him. As he runs through the tall blades to find his high school crush Roxane float gracefully towards him suddenly their dream world around them turn into one of briers and thorns as Max transforms into a monster, a monster none other than his father; Goofy.
As Max’s morning proceeds with the first song of this animated musical ‘After Today’ is still as catchy as ever and fun to join along with. Did I remember the words to the song you ask? Heck yeah! While Max’s goal for the day and the rest of te summer is to win the heart of Roxane, Goofy has other plans that take a really interesting turn. I loved the direction the film took in exploring the whole father-son relationship dynamic. A Goofy Movie really explored relations and I felt more of the animation had quite the emphasis on displaying emotions through body language which leads me to my next point.
A huge negative for me was while the father and son moments were so touching, the scene with big foot was a bit unnecessary, a major diversion that forced some bonding time, while this element gave us one of the most touching scenes between Goofy and Max, with the alphabet soup, I still believe there could have been a better way to lead to it. Big foot felt too out of nowhere, a bear or contain lion could have easily taken the role. Then there is also the matter of how they managed to sneak into the concert is beyond me, it would have been worth devoting a scene to how they managed to make their way to sneaking in eventually, but I guess maybe in this instance time and budget killed continuity?
As mentioned previously most of the animation was geared towards communicating their feelings as opposed to animating something in a really cool manner because they could. With a lot of facial expressions and expressing emotions in their gestures. I believe this is war made the film Stan out the most especially once Goofy’s decisions get a bit of not really annoying at some points of the movie. I don’t have much to comment on the animation while it didn’t do much wrong, it also didn’t have anything new to offer. Most of my disappointments came with the storyline and continuity.
I loved the bright, open and time appropriate colour palette. The fact that it looks aged adds to the experience now in 2015, for a film released and set in the 90’s. For dogs they had a pretty attractive and humanistic character design that would often make you forget that these were human like dogs.
Despite him being such a goof he has a very natural and pleasant charm and I believe the palette lends itself to Goofy’s portrayal.
There are a few nitpicks in the design such as recycled backgrounds and the river rapids waterfall scene being a bit distracting because of the rough lines used to demonstrate the roughness and the speed of the river. I felt it didn’t fit the visual tone of the film and a style like that would be better suited for something like The Tale of Princess Kaguya, rather than a Disney film.
The songs rock and till now I believe the fact that it was a musical was a great move and even now believe that it would do current Disney justice to add more music to their films, Frozen is a testament that they shine brightest when their characters are singing. The strengths of A Goofy Movie lie in its original soundtrack. With very memorable and varied song tracks, there is something in there for you to enjoy. I don’t think there is a batter word to describe the music other than fun and the final song I 2 I really delivers unfortunately it felt way too short!
If you grew up in the 90’s then A Goofy Movie will definitely be fun to watch and for the new kids on the block, I would still recommend it especially as they may not be familiar with goofy and his backstory and this will be a great intro to him and his world outside of Mickey Mouse and his gang. While the film is still as fun as ever to watch now as an adult, the continuity and plot holes aren’t hard to miss, and you may find yourself getting annoyed at times at the decisions of the characters, when I was young I sympathised with Goofy much more than Max, but as an adult I realised how irrational some of his decision making could be, but I guess Lester’s possum park doesn’t seem too bad if you like possums?
The Saturday just gone was my birthday and while I have mixed thoughts about being 2 years away from 25. The week was one filled with lots of free stuff! On the week of my birthday I headed down to London Graphic Centre for their student day, it is with things
The Saturday just gone was my birthday and while I have mixed thoughts about being 2 years away from 25. The week was one filled with lots of free stuff!
On the week of my birthday I headed down to London Graphic Centre for their student day, it is with things like these I am grateful to Bucks for not adding an expiration date on their student cards and for tipping off the third years that NUS was still very much an option even 3 years after you graduate.
The goodie bag was super pleasant I now have a lot of pencils and pens to make up for all the pencils and pens I lost throughout 2015, and I was in need of a new sketchbook so you could imagine that with #inktober underway this student day couldn’t have come at a better time. And did you know moleskin made storyboard journals? Well now you do, I am loving it so far, it is nice to have one consistent place where i can storyboard for the blog from now on.
But on to better stuff, my choice of tea on my birthday was a very herbal Red Berry and I took time to visit the British Museum for a manga workshop which was really lovely to go to. I guess these are the signs of the times that I am getting much older.